
Written by The Harley-Davidson Museum
Photos by Josh Kurpius Archival photos courtesy of H-D Museum
Forty years ago, Harley-Davidson riders across America showed their love for Lady Liberty.
By the mid-1980s, after a century of wear and tear finally started catching up to her, the Statue of Liberty was in need of pretty hefty restoration. As Lady Liberty’s 100th anniversary approached in 1986, a nationwide fundraising effort was launched to help preserve the iconic symbol of freedom.
In 1985, Harley-Davidson® stepped up to the plate and partnered with the Statue of Liberty-Ellis Island Foundation to support that effort, joining a broader campaign to restore Lady Liberty for future generations.
“The Statue of Liberty. Its history and heritage have made it more than a statue, more than a monument. Lady Liberty has taken on a variety of meanings in the collective imagination of mankind.
She is America’s welcoming sign.
She is a symbol of equality, progress, and opportunity.
She is an expression of the struggle for the ideals of constitutional democracy.
Ultimately, she stands for America itself—its promise, prosperity, and freedom.
This freedom takes on a special meaning for all motorcyclists. It is the extra special sense of freedom that riders enjoy when they experience America through the sights, scents, and sounds of two-wheel travel.” - Hog Tales Volume 3, Number 4 August-September 1985.


The partnership’s big kickoff was the Ride for Liberty, a cross-country motorcycle journey that encouraged Harley riders and enthusiasts from all over the country to dig into their pockets and support the restoration.
The Ride for Liberty began on Sept. 10, 1985, in Los Angeles. H-D CEO Vaughn Beals and his wife Eleanore led a northern route, rolling through cities like Las Vegas, Denver, Kansas City, Chicago, Detroit, and Pittsburgh.
Vice President of Styling Willie G. Davidson and his wife Nancy charted a southern course through Albuquerque, Dallas, Shreveport, Birmingham, Atlanta, and Greensboro.
In total, thirteen dedicated riders made the journey from coast to coast.
Thousands more joined along the way — some for just a few miles, others for several days — turning the ride into a moving show of support.
Not everyone could make the full ride, but plenty still found a way to be part of it. Riders chipped in by grabbing souvenir kits, turning support for the cause into something you could wear, carry, and take on the road.
The “Keep the Torch Lit” kit, sold at participating U.S. dealers, was loaded with gear: a route map, baseball cap, pin, patch, participation certificate, and a nylon duffel bag.
Some riders collected donations mile by mile, while others lined up pledges tied to the distance. At many stops, the fundraising took on a life of its own with impromptu auctions popping up, offering everything from Liberty Ride banners and Harley-Davidson history books to a collection of Reggie Jackson memorabilia.
And it even drew an international crowd. Five French riders, led by a Harley-Davidson dealer from Nice, joined in Atlanta, adding French wine to the fundraising mix.
The two routes converged in Washington, D.C., where they met up with riders from the International Northeastern Harley-Davidson Dresser & Touring Association. On Sept. 21, an estimated 600 to 700 motorcycles paraded down Pennsylvania Avenue.
The ride reached its final destination on Sept. 22, 12 days after it began. More than 1,000 motorcycles (closer to 2,000, according to some reports) gathered at Liberty State Park in New Jersey.
At the closing ceremony, Vaughn Beals, Willie G., and Nancy Davidson auctioned off their Liberty Ride jackets. Eleanore Beals’ jacket later made its way into the Harley-Davidson Archives. Vaughn Beals then presented a $250,000 check to a representative of the Statue of Liberty-Ellis Island Foundation, calling it a “minimum pledge to the restoration effort.”
Harley-Davidson’s Statue of Liberty fundraising efforts continued into 1986, with the company promoting the restoration project throughout the year, including during Daytona Bike Week, where Liberty graphics were featured prominently in marketing.
Licensed Statue of Liberty accessories were also sold, with a percentage of proceeds going toward the restoration fund. The centerpiece of the campaign, however, was the 1986 Liberty Edition motorcycles.
Following in the footsteps of the 1976 Bicentennial Liberty Edition models, the 1986 FLHT, FLTC, FXRS and XL-1100 were produced with a two-tone black and silver paint scheme, maroon pinstriping, and special Statue of Liberty and “Ride Free” graphics across the fenders, fairings and fuel tanks. An additional $100 from each motorcycle sold went directly to the restoration fund.
According to the July 1986 issue of The Bar & Shield, the company’s employee newsletter, the XL-1100 Sportster was the most popular model, while the FLTC was the rarest. Today, the Harley-Davidson Museum is home to Vaughn and Eleanore Beals’ Liberty Edition Electra Glide® from the Ride for Liberty.
- Vaughn Beals, CEO of Harley-Davidson 1981-1989


The Ride for Liberty was about more than the statue. As noted in the Winter 1985 issue of The Enthusiast, “One of the main reasons for this program, besides the obvious goal of raising money for the Lady’s restoration, is to promote a positive image of motorcycling—to show the general public that Harley riders are doing a lot of great things for this country.”
“If there’s a company that should be involved with Liberty’s restoration, it should be us. The statue is a worldwide symbol of liberty, and motorcycles are one of the strongest expressions of freedom,” Vaughn Beals said in a 1986 issue of The Bar & Shield, the company’s employee newsletter.
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